A Língua e a Lei: The Evans Statements: a Case for Forensic Linguistics, por JAN SVARTVIK

10 de fevereiro de 2013

The Evans Statements: a Case for Forensic Linguistics, por JAN SVARTVIK

O Forensic Linguistics Institute disponibilizou o texto inaugural da Linguística Forense, online, em .pdf. Trata-se de The Evans Statements: a Case for Forensic Linguistics, por JAN SVARTVIK, da década de 60.

Seguem os links:

http://www.thetext.co.uk/Evans%20Statements%20Part%201.pdf
http://www.thetext.co.uk/Evans%20Statements%20Part%202.pdf

BOA LEITURA!!

Top 10 Livros em Linguística Forense

- An Introduction to Forensic Linguistics, de Malcolm Coulthard e Alisson Johnson
- Dimensions of Forensic Linguistics, de John Gibbons e M. Teresa Turell
- Forensic Authorship Analysis and the World Wide Web, de Samuel Larner
- Forensic Linguistics, de John Olsson e June Luchjenbroers
- Forensic Linguistics: Advances in Forensic Stylistics, de Gerald R. McMenamin
- Forensic Linguistics: an Introduction to Language in the Justice System, de J. Gibbons
- Lingüística Forense, Lengua y Derecho; de M. Teresa Turell Julià
- The Language of Confession, Interrogation, and Deception, de Roger Shuy
- The Routledge Handbook of Forensic Linguistics, de Malcolm Coulthard e Alison Johnson
- Wordcrime: Solving Crime Through Forensic Linguistics, de J. Olsson

"Death, drugs, and disaster; bodies and blood, guns and glass; semen and saliva; bullets, bombs, and bite marks; tool marks and trauma; poisons, homicides, safe paint, footprints, fingerprints and psychoses. These are the kinds of events and evidence that challenge forensic scientists (...). But there also are nonviolent — very subtle — tools of crime. They do not bruise, batter, slash, or shoot. Yet they are used to steal our money or threaten our security more often than guns, knives, pry bars, or bombs. They are just pieces of paper".

(William Storer. “Questioned Documents”. IN: Introduction to Forensic Sciences)

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10 de fevereiro de 2013

The Evans Statements: a Case for Forensic Linguistics, por JAN SVARTVIK